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The Great Movie Scenes: The Godfather

The Oasis Reporters

January 4, 2023







Composite: Stills from Godfather (1972), Shutterstock

Bruce Isaacs, University of Sydney

What makes a film a classic? In this column, film scholar Bruce Isaacs looks at a single sequence from a classic film and analyses its brilliance.



The Godfather, 1972.


The Godfather is hailed as one of the greatest American films of all time. Francis Ford Coppola’s 1972 saga about a New York crime family represents a turning point in the history of Hollywood cinema.


Set in post WWII New York, the film chronicles how the youngest son Michael (Al Pacino), the only one not in the family business, reluctantly becomes the head of the Corleone mafia following the death of his father, Vito (Marlon Brando).


In this scene (spoiler alert: this clip contains the last scene), Michael is at the baptism of his nephew – he is the godfather – while, at the same time, the heads of five rival mafia families are being executed on his orders.


Coppola brings these two independent sequences together using a traditional editing technique known as parallel montage. But he pushes it to its limits, focusing on rhythm and intensity, and prioritising viewer experience over plot development.



See also:


The great movie scenes: Hitchcock’s Vertigo

The great movie scenes: Antonioni’s The Passenger

The great movie scenes: Eternal Sunshine of the Spotless Mind

The great movie scenes: Steven Spielberg’s Jaws

The great movie scenes: Hitchcock’s Psycho and the power of jarring music

The great movie scenes: Stanley Kubrick’s 2001: A Space OdysseyThe Conversation


Bruce Isaacs, Senior Lecturer in Film Studies, University of Sydney


This article is republished from The Conversation under a Creative Commons license. Read the original article.


Greg Abolo

Blogger at The Oasis Reporters.

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